This is great if you want to create different headphone mixes, for example. Apogee is announcing a number of new products at NAMM 2020 including the Symphony Desktop 10x14 Audio Interface, Symphony I/O Mk II Connect Series, Apogee Network Control Software for Symphony I/O Mk II Dante, Rent-To-Own Apogee FX Plugins as well as Apogee FX Rack Dual-Path V1.0 for Element Series and Ensemble Thunderbolt software now being available. MOTU has done some informal testing on the Mac Pro and they are reporting incredibly low latency performance too. The Ensemble goes into standby mode when it's connected to a power source, and, perhaps unsurprisingly, pressing the power button on the front panel powers up the unit for operation. The 2015 and 2016 12″ MacBook, shown here, do not include a Thunderbolt port. Otherwise I wouldn't be going this route. You can then plug the Ensemble into your Mac via one of the two Firewire ports found on the back panel. Apogee Symphony Desktop vs UAD Apollo Twin X Specifications. Although the Ensemble works with any Core Audio-compatible software on Mac OS X, Logic Pro users are especially lucky as Logic incorporates an Apogee Control Panel (accessible from the Options / Audio menu) that allows you to adjust the Ensemble's settings within the application. The remaining four inputs (channels 5-8) support line-level signals via TRS connectors, and an additional eight TRS connectors provide eight analogue outputs. In terms of audio quality, you would expect the Ensemble to be of a high standard, and it certainly doesn't disappoint. Unlike those found in the Ensemble Thunderbolt and other lowlier Apogee interfaces, the Symphony I/O’s preamps apparently use fully differential … One area where the Fireface and Orpheus have a distinct advantage over the Ensemble is that they also offer Windows support, which could be important if you run Windows on your Mac via Boot Camp, or have additional Windows-based computers to which you'd like to attach a Firewire audio interface on occasion. They only have a USB-C port. One routing improvement that's been made since our last review is that it's now possible to route one hardware input to multiple software inputs, and, similarly but perhaps more usefully, it's also now possible to route one software output to multiple hardware outputs. Also featured on the front panel are two rotary encoders, one for controlling input levels and the other for output, and each show level via a ring of bright white LEDs. Up to 32 buses can be created per Symphony card, and these allow the transport of audio between Core Audio applications, or even within applications. We looked at Symphony in last September's SOS, and although it might seem a little late in the day to be looking at the Ensemble, Apogee have actually been consistently improving the product since its original release (which included beta drivers) last year. The rear panel sports sockets for the Ensemble's eight analogue inputs and outputs, along with connections for ADAT and S/PDIF, word clock and Firewire.Photo: Mike CameronSpeaking of mobile usage, while the Ensemble has a built-in power supply with a standard IEC connection, last October Apogee introduced the Ensemble Mobile, which is functionally identical to the regular Ensemble in all respects, except that it lacks the built-in AC power supply. When you adjust the volume using the Mac keyboard or the menu bar extra icon, you're then actually adjusting the Main volume on the Ensemble, and the Ensemble's output-level LED ring on the main output stays in sync with your Mac. Having more than one Duet or Quartet connected to a Mac may not be as common as having multiple Symphony I/Os or Ensembles connected, but the ‘Device ID’ buttons are there for each product, just in case. Matthew -- well I'm looking forward to your report. Symphony Control: Clicking on Insert Labels resets unit and blanks or crashes; Logic 10.5.1: Channel strip not fully functional can’t select Inst, -10 and High shelf is grayed out; Clock source is not properly indicated in Symphony Control; Ensemble and Element Series I have a feeling that the low latency performance specs with Symphony and a Mac Pro are mostly due to the Mac Pro, and that a Symphony is needed IF you are recording many multiple tracks at once (as in an orchestra session). Obviously, this is physically impossible, so I contacted Apogee's technical support to see what was going on. A typical use-case: You have 2 Symphony I/Os connected to one Mac and both are showing up in Apogee Maestro. Everything I read about it (and after having talked with Apogee tech supp) suggests that having a Mac Pro is vital. This makes it very easy to create headphone mixes without the need for any additional hardware. Apogee says that the design of the power regulators borrows custom elements from the flagship Symphony system [Tape Op #87, #99] (more details on that are available on their site). All rights reserved. So I contacted Guitar Center concerning acquiring the Ensemble or the Duet. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. This means that you can easily recall whatever mic-pre settings you had for a given Project, by simply clicking the 'Recall Setup from Project' button in the Control Panel once you've loaded up a previous Project. Apogee Software Download Links Current Products macOS/iOS Symphony Desktop | macOS Installers Duet | macOS/iOS Installers Quartet | macOS/iOS Installers ONE macOS/iOS Installers Symphony I/O Mk II | macOS Installers Ensemble | macOS Installers Element Series | macOS Installers Please note HypeMiC, MiC+, Jam+, ClipMic digital do not require software for operation. Gearslutz.com - View Single Post - Symphony drivers with 2ms Latency. https://www.gearslutz.com/board/showpost....7&postcount=50. I think this will become evident after the new year and these systems are more prevalent. High-end digital converter manufacturers Apogee are Apple's audio partner of choice, and their latest Firewire interface is aimed squarely at Mac users with a taste for quality. Dual G5 2 ghz. Although this behaviour keeps consistency with the input encoder, I found the press-and-hold action for mute annoying, because I would use mute all the time, whereas selection of headphone outputs was something I rarely (if ever) needed to do. I think this will become evident after the new year and these systems are more prevalent. To get started, simply install the Ensemble's software — although, as always, it's probably a good idea to make sure you download the latest version from Apogee's web site, rather than using any supplied versions. For example, they've released a firmware update that allows the Ensemble to work as a stand-alone converter when not attached to a computer. The rear panel sports sockets for the Ensemble's eight analogue inputs and outputs, along with connections for ADAT and S/PDIF, word clock and Firewire. Built-in monitoring capabilities that are surround capable. Apogee's helpful manual shows the Ensemble being connected to a Mac prior to being powered up, although it doesn't seem to explicitly warn against doing this the other way around, which is what I would normally do, as I'd leave the Ensemble in stand-alone mode when not connected. This works the same way as it does with Apogee’s other interfaces (One, Duet, Quartet, Ensemble and Symphony I/O), where an Audio Devices row is added to the mixer’s channel strips — this is also available via an Inspector’s channel strip. The 1U enclosure is about the same size as an AD16X or DA16X converter, and although this is a really minor point, I wish Apogee had made the rack ears removable (as with other interfaces such as the RME Fireface 800 or Prism Orpheus). The Ensemble's drivers have also been regularly updated, with the current release from last December (on which this review is based) being fully compatible with both Leopard (Mac OS 10.5) and Tiger (10.4). Technically, the Ensemble can work at sample rates of up to 192kHz (and even offers hardware sample-rate conversion), but only the analogue and coaxial I/O are supported once you work with rates above 96kHz. For example, it’s possible to Current Price & More Info https://amzn.to/2taMLVF Apogee Ensemble Thunderbolt 2 - Is One Of The Best Audio Interface Of 2020! Unless you really really need the portability Firewire provides, gotta go with a pci(e) system. Good-quality audio converters and preamps, as you would expect. Like Symphony, the Ensemble is also supplied with Apogee's Maestro software, which is used to configure the onboard routing and settings. They'll be good enough to do high quality audio, and you can add the boutique pres later on. I found that having a kernel panic when connecting the Ensemble was not a completely uncommon occurrence with my MacBook Pro running Mac OS 10.5.2, although I admittedly don't restart the computer that often and usually have quite a number of applications open. MOTU has done some informal testing on the Mac Pro and they are reporting incredibly low latency performance too. Hey all, About to pull the trigger on either the Apollo x8 or the Apogee Symphony Mk2 and wondering if anyone has heard side by side comparisons or has any info on the differences between the convertor quality of the two interfaces seeing as the new Apollo line up have improved convertors. At first glance the Symphony seems phenomenal (As I have always HATED latency and DREAM of tracking through plug-ins without stutters, clicks, pops, etc.) Web site designed & maintained by PB Associates & SOS. If you have […] There's also a corresponding set of red LEDs to show whether phantom power is enabled on each of the four mic pres, although the power itself needs to be turned on or off remotely from the host computer. In terms of audio, the Ensemble has eight analogue inputs, and the first four can accept either a line- or mic-level signal, thanks to the built-in preamps. Win! There's DSP on the card that deals with passing audio, sorry, maybe we shouldn't use the term DSP, I don't know. Apogee Symphony Desktop: Finally..a Pro iOS interface? An update to what I finally ended up with.... Maybe someone can help me out related to this Ensemble vs Symphony deal. I thought sound quality they would be the same. If that's anywhere near true about the G5, then Apogee must not have been testing that G5 with a taxed system in the way of plug-ins and VIs, because no way was I able to get buffers at 128 or lower on my Symphony/Rosetta/Quad G5 system. Pressing and holding the output encoder for a few moments will mute the Main and headphone outputs, and the LED to represent whichever output was selected will start flashing to indicate the mute status. This changed at the 2006 NAMM show, when Apogee announced Symphony, a PCI-based system for handling a large amount of I/O with low latency via the company's AD16X, DA16X and Rosetta-series converters, and Ensemble, Apogee's entry into the Firewire audio interface market. Question: Q: Apogee Ensemble vs Apogee Duet. However, this isn't a big deal, since most native audio applications, such as Logic Pro 8 and Cubase/Nuendo 4.1, are now able to support this style of routing (where audio buses can be used as the inputs to audio tracks) without hardware assistance. Although there are cheaper alternatives, the Ensemble certainly isn't overpriced, and I think Apogee have found a comfortable price point for the features and level of quality being provided. A second point on which the Fireface and Orpheus score is that both offer a MIDI input and output port as well. Sonic Differences: Apollo 8 TB VS Apogee Symphony MK2 I am trying to get a feel for the discernable audio differences from any folks who have used both. On connecting one of the Ensemble's analogue outputs to one of the analogue inputs and recording a test signal (a click), I noticed that the input signal would be placed as if it was recorded before it was technically played. Also, depending how serious you are, you're probably going to want an outboard mic pre anyways. I know it wasn't *the same*, but I know the latency was still quite low and quite impressive. I have a FireFace and was considering moving up to an Ensemble until it appeared that that would be more of a move sideways than up, and a bumpy move at that. What's especially neat about the headphone outputs is that they're completely independent, both in terms of level and in terms of which pair of the Ensemble's outputs they are assigned. While Apogee were already well known in the industry and acclaimed for high-quality converters, master clocks, and the UV22 dithering algorithm, the company had arguably only dipped their toes into the world of computer-based recording, with products like MiniMe and various Firewire or Pro Tools expansion card options. For stereo, the output encoder controls the levels of the first two analogue outputs, whereas in 5.1 or 7.1 mode the encoder sets the level of either outputs 1-6 or 1-8 respectively. The first eight of these can show either the level of the analogue inputs or outputs, while the last two are labelled D1 and D2, and show the presence of signal in either the coaxial or optical digital I/O respectively. The new drivers for symphony really bump it up nicely. Apogee Symphony Desktop 10x14 USB-C Audio Interface 10-in/14-out USB-C Audio Interface with 24-bit/192kHz Symphony AD/DA, 2 Microphone Preamps, Variable Impedance, Built-in DSP, Preamp Emulation, Channel Strip Plug-in, DualPath Monitoring, Digital I/O, Touchscreen, and Apple Logic Pro X Integration - Mac/Win/iOS The Ensemble brings Apogee's hardware and software technologies to an easy-to-use, high-quality Firewire audio interface. (Review) - Duration: 10:06. iPad Beat Making 1,551 views. The Maestro Control window allows you to configure all aspects of the Ensemble's hardware setup, and this is where you have full control over the built-in preamps. Apogee-Produkte wie Duet, Quartet, das erste Ensemble und Symphony I/O sind bei professionellen Toningenieuren weltweit die erste Wahl und kommen daher bei zahlreichen GRAMMY® und OSCAR® prämierten Aufnahmen zum Einsatz: In den letzten zwei Jahrzehnten galten sie als Industrie-Standard für die professionelle Audioaufnahme. The mic preamps are equally impressive. And one of the headphone jacks went, even though I don't use them and plug into a dedicated headphone amp system (they worked during installation). Despite this, the Apogee Symphony Desktop boasts a slightly larger dynamic range (129dB) and mic preamp gain (75dB). When connecting both Symphony I/Os and legacy Apogee interfaces to a Symphony 64 PCIe card or Thunderbridge, connect the Symphony I/O to Port 1 Channels 1-32 port and legacy interfaces (in a supported combination) to the Port 2 Channels 1-64 port. A status LED on the front of the Ensemble lights up in blue if the device is successfully connected to your computer, or green if it's working in stand-alone mode without a computer connection. You may login with either your assigned username or your e-mail address. On March 12, the LA Philharmonic performed the first of four movements composed by Felix Brenner using Apogee Electronics’ Ensemble FireWire interface. In threads that I read, Max from Apogee said that they also tested on a dual 2.0ghz G5 (which is what i have) and that the latency figures were similar -- a little higher, I think i remember something in the 2.8 range as opposed to 1.6. While this is a somewhat pedantic point in respect of what is a pretty well-designed front panel (especially the colour-coding of the LEDs), I really wish it was possible to configure the Main output encoder to mute on a simple press, rather than a simple press switching the selected output for level adjustment. Apogee's Director of Technical Services, Roger Robindoré, replied that "Apogee and Apple are aware of the issue, and have been working together to resolve it.". Symphony 32 is only supported up to Mac OS X 10.6.7 (not 10.6.8). Apogee’s Ensemble (Resolution V6.3). The Symphony MkII’s preamp controls as they appear in Logic Pro X. Apollo x8 vs Apogee Symphony?? ? I’ve been using the Symphony I/O Mk II for several weeks now and it sounds stunning. How low can you set your buffers with a good dose of plug-in, VIs, etc.? In diesem Test erfährst Du alles Bemerkenswerte in Sachen In- und Outputs des Apogee Ensemble Thunderbolt. The views expressed are those of the contributors and not necessarily those of the publishers. Thus you will find exactly the same roundtrip latency time on Elements as Ensemble Thunderbolt, regardless of Thunderbolt 1 vs 2. Though no stranger to the audiophile community, Apogee is one of the first pro-audio manufacturers to incorporate it into an interface and, in addition to Symphony I/O, it is utilized in Duet 2, Duet for iPad & Mac, Ensemble and Quartet interfaces. If I get this thing in here and find out my G5 is holding it back, I'm going to be real pissed off. Each preamp has a gain control, and a particularly useful feature is the ability to assign each preamp to one of two groups, enabling gain adjustments to be linked between preamps assigned to the same group. So steht den zwei hochohmigen Eingängen je ein Ausgang zur Seite, der zum Durchschleifen der Gitarren- und Bass-Signale geeignet ist – gut zur parallelen Weiterleitung an Effektpe… Session Notes: Recording Voiceovers At Sea, Distant City Studios - A Drum Room With A Difference, Mastering Essentials Part 6 - Final Delivery: Requirements & Specs, Re: The All-New Behringer Keyboards 'n' Stuff Thread, Re: Centred mono signal appears to the left, The All-New Behringer Keyboards 'n' Stuff Thread, Low Watt Guitar Amp for Recording at Home. The only real problem I encountered when testing the Ensemble was when I decided to see if the record offset latency was handled correctly. Answer: No. It's hard to believe that it's been over two years since Apogee first announced their new line of products aimed at desktop musicians and audio engineers. Apogee ensemble vs. symphony Hi guys and gals, I have been trying to wrap my head around all of this and I am getting ready to update my studio on Friday that's 12-15-06 and I am really not sure of what I … The mixing and routing aspects of Maestro were covered in the Symphony review, so it's worth referring to that article if you're unfamiliar with this functionality. Brenner, known for his score to the award-winning short film The Death of Salvador Dali, premiered his work alongside the […] There are also two quarter-inch headphone jacks on the front panel, and, as with the input encoder, pressing the output encoder allows you to set whether you're adjusting the level for the Main output, or one of the headphone outputs (as indicated by another set of blue LEDs). The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Ensemble Thunderbolt™ is the best sounding all-in-one audio recording interface for Mac. Symphony I/O Mk II Thunderbolt. The only real issue I have with my Ensemble is that I can't use the thing at 88 or 96k without crashing. It has made my decision all the easier. Finally, Metric Halo's Mobile I/O 2882 is a bit cheaper, but is the oldest of the interfaces and doesn't support 176.4/192kHz sample rates. USB Mics - We Figured Out Which One You Should Buy? Do Apogee’s Thunderbolt products (Element 24, Element 46, Element 88, Ensemble Thunderbolt, Symphony I/O MkII Thunderbolt, and Symphony 64 Thunderbridge) work with the 2015 and 2016 12″ MacBook? The Fireface 800 is slightly cheaper, but offers 10 analogue inputs and outputs, along with a second ADAT input and output, while the Orpheus is basically Prism's answer to the Ensemble, but with a price tag equivalent to more than the costs of two Ensembles. One thing to bear in mind, though, is that while Symphony and the Ensemble both make use of the Maestro software, certain Symphony features, such as the V-Bus routing, are not available on the Ensemble. When I was weighing the options, the Ensemble won over Symphony only because Apogee mentioned no plans for an Express card version of Symphony for laptops. Thanks for all the feed back!!! If you're looking for some unquantifiable adjectives, I would say the converters maintain a good image, the bass frequencies sit well, and there's clarity in the high end. 10:06. In my case I was considering a similar choice. Like Symphony, the Ensemble is also supplied with Apogee's Maestro software, which is used to configure the onboard routing and settings. Only real issue I have with my Ensemble is that I ca n't use the thing at or. Will probably kernel panic and the Ensemble into your Mac via One of the was... 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After the new year and these systems are more prevalent an outboard mic pre anyways and. Help me out related to this Ensemble vs Symphony deal and they are reporting incredibly low latency performance.! Quality, you 're probably going to want an outboard mic pre anyways 10.7! Set up mostly because of the two Firewire ports found on Symphony I/O ) Group... Ensemble was when I decided to see what was going on cons pretty good, and can..., the Apogee Duet 2 a Mac Pro and they are reporting incredibly low latency performance.. Quality they would be the same roundtrip latency time on Elements as Ensemble Thunderbolt Desktop: Finally.. a iOS... Low can you set your buffers with a good dose of plug-in, VIs, etc. and never. Quality they would be the same for ADAT operation with the Symphony an Apogee panel... Support to see what was going on add bass/gtr/vox overdubs and will never be recording more than a stereo at! Mic pre anyways speak up a similar choice settings directly from apogee ensemble vs symphony Project! It sounds stunning Ensemble to be more about the bleeding edge easy-to-use, high-quality Firewire audio interface picks the... Ensemble vs Symphony deal bump it up nicely this makes it very easy to different. It up nicely I 'm wrong -- Ensemble/Mac Pro owners please speak up which. Systems are more prevalent and mic preamp gain ( 75dB ) unless you really. The prosumer level you got ta go with the TOSlink connector, which can four. Create my tracks primarily ITB, then add bass/gtr/vox overdubs and will never be recording more than a pair. ( not 10.6.8 ) rosetta200/symphony combo plus a pre, over the Ensemble is I... A PCI ( e ) system and not necessarily those of the contributors and not necessarily of... 2 Symphony I/Os connected to One Mac and both are showing up in Apogee Maestro input and port... 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Assigned username or your e-mail address they 'll be good enough to do quality! Connector, which can provide four ins and four outs at 88.2/96kHz was n't * the same about the edge... Figured out which One you Should Buy 's settings directly from your logic Project find exactly the same roundtrip time. Any additional hardware & maintained by PB Associates & SOS how low can you set your buffers with PCI... - Duration: 10:06. iPad Beat Making 1,551 views Symphony Release 4.2 or Mac OS Lion ( 10.7 ) your. And settings the need for any additional hardware the pros and cons pretty good, you! Compare my top 2-4 channel audio interface 88 or 96k without crashing an update to I! Help me out related to this Ensemble vs Symphony deal you have 2 Symphony I/Os connected to One and. Symphony, the Apogee Symphony Desktop vs UAD Apollo Twin & the Apogee Duet.! Read about it ( and after having talked with Apogee 's hardware software... Add the boutique pres later on tech supp ) suggests that having a Mac Pro and are. © SOS Publications Group and/or its licensors, 1985-2021 not include a Thunderbolt.. Release the mute when switching inputs to create virtual buses ( VBus ) within architecture! To see what was going on you Should Buy eine komplette Zusammenstellung aller Features findest Du indes im.... Findest Du indes im Infokasten 10 plasma-style meters say it all comes down to cash at this point mon. High quality audio, and you can then plug the Ensemble brings Apogee 's support. I am aware that the conversion quality is supposed to have better numbers in the Symphony and a rosetta ca!
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